piwik-script

Deutsch Intern
    Institut für Musikforschung

    Publications

    in press[ to top ]
    • Moss, F. C. (in press). Transatlantic Transformations: How Riemannian Is Neo-Riemannian Theory?. In S. Keym & C. Hust (Eds.), Hugo Riemann: Musikforschung Zwischen Universalität, Nationalismus Und Internationaler Ausstrahlung.
    2022[ to top ]
    • Bracks, C., & Moss, F. C. (2022). Totoli’s Art of Lelegesan: Analyzing Sociocultural Context and Musical Content. In I. Ali-MacLachlan & A. Holzapfel (Eds.), FMA2022: International Workshop on Folk Music Analysis (pp. 1-5). OSF Preprints. https://doi.org/10.31219/osf.io/5tsxa
    • Harasim, D., Affatato, G., & Moss, F. C. (2022). midiVERTO: A Web Application to Visualize Tonality in Real Time. In M. Montiel, O. A. Agustín-Aquino, F. Gómez, J. Kastine, E. Lluis-Puebla, & B. Milam (Eds.), Mathematics and Computation in Music (pp. 363-368). Springer International Publishing. https://doi.org/10.1007/978-3-031-07015-0_31
    • Moss, F. C., Affatato, G., & Harasim, D. (2022). Phantom Curves: Scientific Discovery through Interactive Music Visualization. In L. Pugin (Ed.), 9th International Conference on Digital Libraries for Musicology (pp. 60-64). Association for Computing Machinery. https://doi.org/10.1145/3543882.3543886
    • Moss, F. C., Nápoles López, N., Köster, M., & Rizo, D. (2022). Challenging Sources: A New Dataset for OMR of Diverse 19th-Century Music Theory Examples. In J. Calvo-Zaragoza, A. Pacha, & E. Shatri (Eds.), Proceedings of the 4th International Workshop on Reading Music Systems (WoRMS 2022) (pp. 4-8). https://sites.google.com/view/worms2022/proceedings
    • Moss, F. C., Nápoles López, N., Köster, M., & Rizo, D. (2022). 19MT-OMR: A Dataset for Multimodal Optical Music Recognition. OSF. https://doi.org/10.17605/osf.io/QM9Z5
    • Moss, F. C., Neuwirth, M., & Rohrmeier, M. (2022). The Line of Fifths and the Co-Evolution of Tonal Pitch-Classes. Journal of Mathematics and Music, 1-25. https://doi.org/10.1080/17459737.2022.2044927
    • Viaccoz, C., Harasim, D., Moss, F. C., & Rohrmeier, M. (2022). Wavescapes: A Visual Hierarchical Analysis of Tonality Using the Discrete Fourier Transform. Musicae Scientiae, 10298649211034906. https://doi.org/10.1177/10298649211034906
    2021[ to top ]
    • Moss, C., … Neuwirth, M. (Eds.). (2021). Special Issue on Open Science in Musicology. Empirical Musicology Review, 16(1), 1-4. https://doi.org/10.18061/emr.v16i1.8246
    • Anzuoni, E., Ayhan, S., Dutto, F., McLeod, A., Moss, F. C., & Rohrmeier, M. (2021). A Historical Analysis of Harmonic Progressions Using Chord Embeddings. In D. A. Mauro, S. Spagnol, & A. Valle (Eds.), Proceedings of the 18th Sound and Music Computing Conference (pp. 284-291). https://doi.org/10.5281/zenodo.5038910
    • Harasim, D., Moss, F. C., Ramirez, M., & Rohrmeier, M. (2021). Exploring the Foundations of Tonality: Statistical Cognitive Modeling of Modes in the History of Western Classical Music. Humanities and Social Sciences Communications, 8(1), 1-11. https://doi.org/10.1057/s41599-020-00678-6
    • Hentschel, J., Moss, F. C., McLeod, A., Neuwirth, M., & Rohrmeier, M. (2021). Towards a Unified Model of Chords in Western Harmony. In D. Rizo & S. Münnich (Eds.), Music Encoding Conference Proceedings 2021.
    • Hentschel, J., Moss, F. C., Neuwirth, M., & Rohrmeier, M. (2021). A Semi-Automated Workflow Paradigm for the Distributed Creation and Curation of Expert Annotations. In J. H. Lee, A. Lerch, Z. Duan, J. Nam, P. Rao, P. van Kranenburg, & A. Srinivasamurthy (Eds.), Proceedings of the 22nd International Society for Music Information Retrieval Conference, ISMIR 2021, Online, November 7-12, 2021 (pp. 262-269). https://archives.ismir.net/ismir2021/paper/000032.pdf
    • Herff, S. A., Moss, F. C., & Rohrmeier, M. (2021). Evidence for Cognitive Tonal Hierarchies in Cadential but Not Scalar Contexts. OSF. https://osf.io/yz957/
    • Moss, F. C., Köster, M., Femminis, M., Métrailler, C., & Bavaud, F. cois. (2021). Digitizing a 19th-Century Music Theory Debate for Computational Analysis. In M. Ehrmann, F. Karsdorp, M. Wevers, T. L. Andrews, M. Burghardt, M. Kestemont, E. Manjavacas, M. Piotrowski, & J. van Zundert (Eds.), CHR 2021: Computational Humanities Research Conference, November 17textendash 19, 2021, Amsterdam, The Netherlands (pp. 159-170). http://ceur-ws.org/Vol-2989/short_paper31.pdf
    • Moss, F. C., & Neuwirth, M. (2021). FAIR, Open, Linked: Introducing the Special Issue on Open Science in Musicology. Empirical Musicology Review, 16(1), 1-4. https://doi.org/10.18061/emr.v16i1.8246
    • Moss, F. C., & Rohrmeier, M. (2021). Discovering Tonal Profiles with Latent Dirichlet Allocation. Music & Science, 4. https://doi.org/10.1177/20592043211048827
    • Rohrmeier, M., & Moss, F. C. (2021). A Formal Model of Extended Tonal Harmony. In J. H. Lee, A. Lerch, Z. Duan, J. Nam, P. Rao, P. van Kranenburg, & A. Srinivasamurthy (Eds.), Proceedings of the 22nd International Society for Music Information Retrieval Conference, ISMIR 2021, Online, November 7-12, 2021 (pp. 569-578). https://archives.ismir.net/ismir2021/paper/000071.pdf
    2020[ to top ]
    • Lieck, R., Moss, F. C., & Rohrmeier, M. (2020). The Tonal Diffusion Model. Transactions of the International Society for Music Information Retrieval, 3(1), 153-164. https://doi.org/10.5334/tismir.46
    • Moss, F. C. (2020). A Computational Model for Note Distributions in Musical Pieces. In Digital and Cognitive Musicology Lab News Blog. https://www.epfl.ch/labs/dcml/computational-model-note-dists/
    • Moss, F. C. (2020). Tracing Historical Changes in the Exploration of Tonal Space. In Digital and Cognitive Musicology Lab News Blog. https://www.epfl.ch/labs/dcml/tracing-historical-changes/
    • Moss, F. C. (2020). Choro Songbook Corpus. Zenodo. https://doi.org/10.5281/zenodo.3881347
    • Moss, F. C., Neuwirth, M., & Rohrmeier, M. (2020). Tonal Pitch-Class Counts Corpus ({{TP3C}}). Zenodo. https://doi.org/10.5281/zenodo.3600088
    • Moss, F. C., Souza, W. F., & Rohrmeier, M. (2020). Harmony and Form in Brazilian Choro: A Corpus-Driven Approach to Musical Style Analysis. Journal of New Music Research, 49(5), 416-437. https://doi.org/10.1080/09298215.2020.1797109
    2019[ to top ]
    • Landnes, K., Mehrabyan, L., Wiklund, V., Lieck, R., Moss, F. C., & Rohrmeier, M. (2019). A Model Comparison for Chord Prediction on the Annotated Beethoven Corpus. In I. Barbancho, L. J. Tardón, A. Peinado, & A. M. Barbancho (Eds.), Proceedings of the 16th Sound & Music Computing Conference (SMC 2019) (pp. 250-254). https://doi.org/10.5281/zenodo.3249335
    • Moss, F. C. (2019). Transitions of Tonality: A Model-Based Corpus Study [PhD dissertation, École Polytechnique Fédérale de Lausanne]. https://doi.org/10.5075/epfl-thesis-9808
    • Moss, F. C., Loayza, T., & Rohrmeier, M. (2019). Pitchplots. https://doi.org/10.5281/ZENODO.3265393
    • Moss, F. C., Neuwirth, M., Harasim, D., & Rohrmeier, M. (2019). Statistical Characteristics of Tonal Harmony: A Corpus Study of Beethoven’s String Quartets. PLoS ONE, 14(6), e0217242. https://doi.org/10.1371/journal.pone.0217242
    • Popescu, T., Neuser, M. P., Neuwirth, M., Bravo, F., Mende, W., Boneh, O., Moss, F. C., & Rohrmeier, M. (2019). The Pleasantness of Sensory Dissonance Is Mediated by Musical Style and Expertise. Scientific Reports, 9(1), 1070. https://doi.org/10.1038/s41598-018-35873-8
    2018[ to top ]
    • Neuwirth, M., Harasim, D., Moss, F. C., & Rohrmeier, M. (2018). The Annotated Beethoven Corpus ({{ABC}}): A Dataset of Harmonic Analyses of All Beethoven String Quartets. Frontiers in Digital Humanities, 5(July), 1-5. https://doi.org/10.3389/fdigh.2018.00016
    2017[ to top ]
    • Moss, F. C. (2017). [Review of David Huron. Voice Leading: The Science behind a Musical Art}}]. Music Theory & Analysis, 4(1), 119-130. https://doi.org/10.11116/MTA.4.1.7 1
    2014[ to top ]
    • Moss, F. C. (2014). Tonality and Functional Equivalence: A Multi-Level Model for the Cognition of Triadic Progressions in 19th Century Music. In K. Jakubowski, N. Farrugia, & D. Müllensiefen (Eds.), International Conference of Students of Systematic Musicology textendash Proceedings (pp. 1-8). http://ojs.gold.ac.uk/index.php/sysmus14/article/view/243
    2012[ to top ]
    • Moss, F. C. (2012). "Theorie Der Tonfelder" Nach Simon Und "Neo-Riemannian Theory": Systematik, Historische Bezüge Und Analytische Praxis Im Vergleich [Master thesis, Hochschule für Musik und Tanz Köln]. https://doi.org/10.5281/zenodo.4748512
    2011[ to top ]
    • Moss, F. C. (2011). Albert Simons Theorie der Tonfelder und John Cloughs Flip-Flop Circles im Vergleich. Zenodo. https://doi.org/10.5281/zenodo.3944462